![]() ![]() Naturally mixing didn't exist, because it wasn’t a big deal if a gap or mute space between the two songs was heard. ![]() You began by lowering the volume of one of the 45 rpm record turntables and at the same time that you were listening to it, you began to turn up the volume of the other turntable where the other 45 record was ready. Neither mixer or pre-listening device existed, his task was limited to programming records one after the other that had already been chosen by the disco owner. So he was interviewed by the disco owner who offered him the job of “putting on the records” as the word Disc-Jockey, at least in Italy, hadn’t been coined yet). He was discovered by a talent scout who was the owner of the TANA CLUB DISCOTEQUE (and had been in France, where he had seen some music bars called: discotheques). It all started, almost by chance, when he was a youngster. Let's venture together, on this fascinating journey of discovery in a profession that has made history……ġ969 saw the professional birth of Daniele Baldelli. Investing in musical research and techniques. They will become artists skilful at playing with records, reaching a very high standard, divulging all their musical expertise and knowledge. It will only be later on when they are able to superimpose one or more pieces, mixing songs … expressing their own ability. They had simply to put on one record after another. ![]() Here, we saw the birth of the first dee-jays. Afterwards, people started to dance to records as an alternative or as a musical break for the orchestras. Daniele Baldelli, one of the first Italian deejays, talks about and reveals the secrets of an era.īefore the 1970s, the disco didn't exist. Legendary Italian dj known for playing slow, chuggy, cosmic disco sets.įrom the public dance hall to the disco, from the smooch to the shake,įrom the orchestra to the deejay. ![]()
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